
Written for “Poetic Bloomings” prompt #354 (Edward Hopper)
She’s used to his smoking the way his fingers fondle the death stick the smell in his neck creases she thinks of charred chambers, flesh as bubbled grit, black fungus and she holds her breath... but it’s her they’re here for. The trains crashed through her night ricocheting among her bones - the jangling xylophone of chipped mugs and splattered spoons - their half hourly shiver - her teeth like rattled silver. He lay stone quiet, skeleton still the racket blowing over him nose up from the sheets his sail into sleep apparently untroubled. Yes, it’s her they’re here for two buildings from the hospital: he found this place where the bed clothes have breathed soot, fibres grey and thickened, tired as her riddled tendons. He looks out the window now to the yellow day trapped in brick prisons, his fingernails catching light and she sits in the one chair with her book. Their gazes are emptier than light bulbs and here she is. It’s her they’re here for in this smudgy, morning pause between the roar of trains. But then too early for timetables, a barking hoot , and he’s in her lap, this trembling cadaver, her husband wet faced and heaving and the cigarette on the carpet smouldering to its natural end
You have absolutely nailed that picture by Hopper. 👍
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His paintings just don’t look happy do they? I was saying to Misky, the characters in them are so vulnerable.
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Absolutely so. There is something about his paintings which draws you right in there with the characters.
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You’ve nailed this one; I absolutely grimace at the thought of that man.
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